Coming Home–The Adventure Continues

Our first week back in New Zealand has been action-packed. In addition to my sprained ankle, we also had severe jet-lag and a hideous case of post-plane-flu. We’re looking for a new place to rent and so are living in a motel as we’ve been too sick to stay with friends. But none of that stopped us for jumping straight into our creative workflow. Though this week was been mostly been about artistic conventions and festivals.

Recently I was nominated for a Sir Julius Vogel Award, for my short story, Narco, which was published in 2016 in the At the Edge anthology, edited by Lee Murray and Dan Rabarts. I was so excited to be nominated and honoured to be shortlisted amongst some other amazing New Zealand writers.

The awards were announced last weekend at Lexicon, the New Zealand’s National Science Fiction and Fantasy Convention held in Taupo. Sadly, I was unable to attend this year, however, I followed the awards ceremony online. I was so excited to see many of my colleagues win awards for their amazing work.

Eileen Mueller won Best New Talent, and as she is one of my writing critique friends I am so over the moon for her. My good friend, Lee Murray won Best Novel for her awesome book, Into The Mist, as well as an award for Services To Science Fiction, Fantasy And Horror. She also won Best Collected Work, which she shared with another good friend, Dan Rabarts for their anthology, At the Edge. Jean Gilbert won Best Youth Novel for, Light in My Dark. I haven’t read that one so I look forward to checking it out.

My short story did not win, however, I feel that being nominated was a great achievement in itself. A.J. Fitzwater claimed the prize for her beautiful story, Splintr.

Well done to all of the winners and nominees.

So what was I doing instead of enjoying the writers convention? I was at the Wairoa Maori Film Festival. My fiancee Dave Whitehead had his directorial debut short film, Possum showing. Despite not feeling 100%, we both had a lovely weekend. It was great networking with film people from all across New Zealand and abroad. The festival features films by native people worldwide, providing a great opportunity for cultural exchange as well as seeing some beautifully crafted films.

Dave’s film was greatly received by the audiences up in Nuhaka and it was made even more special because his father was born there and Dave’s film was set on the east coast too. 

Possum Short Film

Possum is a tale of two young brothers who accompany their lumberjack father to a forest campsite. At odds with each other, their relationship meets the ultimate test when they venture into the woods, hunting a notorious possum named Scar.

This screening was just the start of many more to come. I can’t wait to see where Possum takes us next.

We would have been in Berlin during the weekend and by now we’d be in Norway. We would have seen Radiohead in Oslo a couple of nights ago. We gave our tickets to some friends though, so it brings us joy to know that we could give that experience to people we love.

Even though we missed out on part of our overseas trip, we got to meet some great people that we wouldn’t have if we hadn’t come home early.

Things never go as planned, but that is just all part of the adventure. So get out there and make life magic people!

My airport wheelchair adventure!

Au Contraire – 2016

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The science-fiction and fantasy convention, Au Contraire 3 took place this weekend in Wellington and it was a blast!

I was honoured to have two presentations. The first was on Friday, as part of the youth One-Day writing Workshops. I was thrilled to be included in a prestigious line-up of presenters, including talented Kiwi writers, Piper Mejia, Lee Murray, Kevin Berry, Celine Murray, Eileen R Mueller, Alicia Ponder, Simon Fogarty, Jan Goldie, Alan Chad Lindsay and Jean Gilbert.

The kids had a great day, and I was blown away by some of the incredibly talented young writers.

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A huge thanks to Piper for organising this event and giving us writers a chance to get involved with the young folk who, let’s face it, are the reason why we write young adult fiction!

The convention didn’t stop there though, I gave a second presentation on the role of sound in storytelling which was a nice change of pace. All too often, we get swept up in the visual feast of words and pretty covers, we forget about the huge potential sound plays in stories. These days, audio books offer a valuable way for writers to branch out and reach a wider market.

There were discussion panels for a variety of genres, covering a multitude of subjects from poetry to horror. I especially liked the panel from the independent authors. I picked up some very handy tips from the pros. The writing workshop offered by Anna Mackenzie was also fabulous and really got my creative juices flowing.

On Sunday, we had the book launch of At The Edge, a collection of New Zealand and Australian speculative short stories, which I was, again, humbled to be a part of.

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Sadly, I missed the presentations of the Sir Julius Vogel Awards, but I was so proud and excited to see so many of my friends take home the prizes. Eileen Mueller, claimed best youth novel for her ‘You Say Which Way’ novel, ‘Dragon’s Realm’ and Lee Murray won her sixth SJV for her short, ‘The Thief’s Tale’.

Well done to all the winners as well as the finalists for producing such great work. You can see a list of the winners here.

A big thanks to the guests of honour, Juliet Marillier, Amanda Fitzwater and Martin Wallace for their contributions to the convention. It was inspiring meeting so many great authors.

And a very special thanks to Lee and Dan for putting the program together and everyone else who helped make this such a great event.

So…when is the next convention?

Publishing Announcement – My Book

magic-book

Hello everyone!

It is time for an announcement. I’ve been sitting on this for a while.

Last year I was offered a publishing deal with a small press in Australia to publish my debut middle-grade sci-fi novel. I was jumping for joy and thrilled to have reached such a level of professionalism with my writing that I had been accepted by a traditional publisher! I was also very keen to go down the small press route as I have always had a lot of respect for small business models. I felt that smaller presses often had more heart than bigger ones with their strict money-making priorities. I also thought signing to a smaller press would give me more control over the process of putting the book together. However, as time went on, I began to realise that I wanted more control than the small press would be willing to allow me.

I have since come to the conclusion that for this particular project, self-publishing is the best route. I’m not saying I’d never consider the traditional path in the future, and I’m very grateful to have been offered a deal by a traditional press. But for me, right now, I want to go indie.

My decision is not so much about control as it is about choices. Yes, self-publishing will give me complete creative control, but I will still contract professionals to make sure the book I produce is at the highest standard I can achieve. I want to collaborate with artists and designers and I want the freedom to choose who those people are.

My decision is not all about money either, but it is about investment. Yes, I will own all the rights and royalties, but I’m not expecting to earn big money off my first book. I’m certain it will cost more than I get back. However, I am simply interested in investing in myself.

Ultimately, my decision is about creativity. I love making things and if I go down the traditional path, essentially someone else is making my art for me. Although this scenario may work for other people, it’s not what I want for this book.

I’ve worked the film industry as a freelance sound editor and spent years building my own brand and business, so I know how hard it is forging an independent career in the arts, but I also know it is achievable. I’ve learned the value of collaboration and networking, but I’ve also experienced what it means to be a cog in a machine producing someone else’s art.

It’s time to make my own art.

Working on films is a fantastic experience. As a creative contractor, my job is to help a directors vision come to life. Ideas that the director has been working on for months, years and sometimes decades finally come to fruition and I get to be a part of that. Sound editing and design is the end stage of this long ‘magical’ process. I try to create sounds that will do justice to the hard work everyone else has done, and hopefully enhance the audiences experience. The make-up and wardrobe teams, the art departments and VFX people, the actors and the picture editors, it all comes together with sound and music as the last piece of the puzzle — the icing on the cake. We soundies sometimes get a little neglected when the budget is sometimes spent long before we start working on a film, but we also get to see how excited the director is to see their baby finally born. The director is there, every step of the way through production, advising our creative work so that it fits the mould of their vision.

So my book is my baby. I am the director. I want to have that experience of reviewing work from contractors, making notes and giving them feedback. It seems ridiculous to have worked so hard on writing the book and editing it for years only to hand it on to someone else at this final stage and let them make all the decisions about how it is put together.

I have already begun work with a concept artist. More to come about this later, but it’s all very exciting. Now that I have made that critical decision, I can get to work making up a budget and a timeline and working towards a release date.

My book is finally going to have a birthday.

Come with me, as I embark on this journey as a creative adventurer!

Tell me about your own experience. Are you the director of your own artistic vision?

Another Short Story to be Published – At the Edge, coming in 2016

at-the-edge_front-cover

I’m very excited to announce that I have another short story accepted for publication in an upcoming anthology, At the Edge. The collection is being edited by the award-winning pair – Dan Rabarts and Lee Murray.

At the Edge: TOC and Cover Reveal

My story, Narco, features alongside stories by some amazing authors from New Zealand and Australia. I feel very honoured to be included in this collection of works.

The anthology is set for release mid 2016, so I have some time before I really start plugging the sale 🙂 The cover and TOC was released on Monday, so it’s official. Yet another publishing credit on my list. I am very chuffed and super proud of the work being produced by artists from our little corner of the globe.

I’ve been too busy with work all week to post this sooner, but it’s been worth the wait.

How about you? Do you have great exciting news to share this week?