Au Contraire – 2016

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The science-fiction and fantasy convention, Au Contraire 3 took place this weekend in Wellington and it was a blast!

I was honoured to have two presentations. The first was on Friday, as part of the youth One-Day writing Workshops. I was thrilled to be included in a prestigious line-up of presenters, including talented Kiwi writers, Piper Mejia, Lee Murray, Kevin Berry, Celine Murray, Eileen R Mueller, Alicia Ponder, Simon Fogarty, Jan Goldie, Alan Chad Lindsay and Jean Gilbert.

The kids had a great day, and I was blown away by some of the incredibly talented young writers.

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A huge thanks to Piper for organising this event and giving us writers a chance to get involved with the young folk who, let’s face it, are the reason why we write young adult fiction!

The convention didn’t stop there though, I gave a second presentation on the role of sound in storytelling which was a nice change of pace. All too often, we get swept up in the visual feast of words and pretty covers, we forget about the huge potential sound plays in stories. These days, audio books offer a valuable way for writers to branch out and reach a wider market.

There were discussion panels for a variety of genres, covering a multitude of subjects from poetry to horror. I especially liked the panel from the independent authors. I picked up some very handy tips from the pros. The writing workshop offered by Anna Mackenzie was also fabulous and really got my creative juices flowing.

On Sunday, we had the book launch of At The Edge, a collection of New Zealand and Australian speculative short stories, which I was, again, humbled to be a part of.

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Sadly, I missed the presentations of the Sir Julius Vogel Awards, but I was so proud and excited to see so many of my friends take home the prizes. Eileen Mueller, claimed best youth novel for her ‘You Say Which Way’ novel, ‘Dragon’s Realm’ and Lee Murray won her sixth SJV for her short, ‘The Thief’s Tale’.

Well done to all the winners as well as the finalists for producing such great work. You can see a list of the winners here.

A big thanks to the guests of honour, Juliet Marillier, Amanda Fitzwater and Martin Wallace for their contributions to the convention. It was inspiring meeting so many great authors.

And a very special thanks to Lee and Dan for putting the program together and everyone else who helped make this such a great event.

So…when is the next convention?

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Publishing Announcement – My Book

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Hello everyone!

It is time for an announcement. I’ve been sitting on this for a while.

Last year I was offered a publishing deal with a small press in Australia to publish my debut middle-grade sci-fi novel. I was jumping for joy and thrilled to have reached such a level of professionalism with my writing that I had been accepted by a traditional publisher! I was also very keen to go down the small press route as I have always had a lot of respect for small business models. I felt that smaller presses often had more heart than bigger ones with their strict money-making priorities. I also thought signing to a smaller press would give me more control over the process of putting the book together. However, as time went on, I began to realise that I wanted more control than the small press would be willing to allow me.

I have since come to the conclusion that for this particular project, self-publishing is the best route. I’m not saying I’d never consider the traditional path in the future, and I’m very grateful to have been offered a deal by a traditional press. But for me, right now, I want to go indie.

My decision is not so much about control as it is about choices. Yes, self-publishing will give me complete creative control, but I will still contract professionals to make sure the book I produce is at the highest standard I can achieve. I want to collaborate with artists and designers and I want the freedom to choose who those people are.

My decision is not all about money either, but it is about investment. Yes, I will own all the rights and royalties, but I’m not expecting to earn big money off my first book. I’m certain it will cost more than I get back. However, I am simply interested in investing in myself.

Ultimately, my decision is about creativity. I love making things and if I go down the traditional path, essentially someone else is making my art for me. Although this scenario may work for other people, it’s not what I want for this book.

I’ve worked the film industry as a freelance sound editor and spent years building my own brand and business, so I know how hard it is forging an independent career in the arts, but I also know it is achievable. I’ve learned the value of collaboration and networking, but I’ve also experienced what it means to be a cog in a machine producing someone else’s art.

It’s time to make my own art.

Working on films is a fantastic experience. As a creative contractor, my job is to help a directors vision come to life. Ideas that the director has been working on for months, years and sometimes decades finally come to fruition and I get to be a part of that. Sound editing and design is the end stage of this long ‘magical’ process. I try to create sounds that will do justice to the hard work everyone else has done, and hopefully enhance the audiences experience. The make-up and wardrobe teams, the art departments and VFX people, the actors and the picture editors, it all comes together with sound and music as the last piece of the puzzle — the icing on the cake. We soundies sometimes get a little neglected when the budget is sometimes spent long before we start working on a film, but we also get to see how excited the director is to see their baby finally born. The director is there, every step of the way through production, advising our creative work so that it fits the mould of their vision.

So my book is my baby. I am the director. I want to have that experience of reviewing work from contractors, making notes and giving them feedback. It seems ridiculous to have worked so hard on writing the book and editing it for years only to hand it on to someone else at this final stage and let them make all the decisions about how it is put together.

I have already begun work with a concept artist. More to come about this later, but it’s all very exciting. Now that I have made that critical decision, I can get to work making up a budget and a timeline and working towards a release date.

My book is finally going to have a birthday.

Come with me, as I embark on this journey as a creative adventurer!

Tell me about your own experience. Are you the director of your own artistic vision?