Our first week back in New Zealand has been action-packed. In addition to my sprained ankle, we also had severe jet-lag and a hideous case of post-plane-flu. We’re looking for a new place to rent and so are living in a motel as we’ve been too sick to stay with friends. But none of that stopped us for jumping straight into our creative workflow. Though this week was been mostly been about artistic conventions and festivals.
Recently I was nominated for a Sir Julius Vogel Award, for my short story, Narco, which was published in 2016 in the At the Edge anthology, edited by Lee Murray and Dan Rabarts. I was so excited to be nominated and honoured to be shortlisted amongst some other amazing New Zealand writers.
The awards were announced last weekend at Lexicon, the New Zealand’s National Science Fiction and Fantasy Convention held in Taupo. Sadly, I was unable to attend this year, however, I followed the awards ceremony online. I was so excited to see many of my colleagues win awards for their amazing work.
Eileen Mueller won Best New Talent, and as she is one of my writing critique friends I am so over the moon for her. My good friend, Lee Murray won Best Novel for her awesome book, Into The Mist, as well as an award for Services To Science Fiction, Fantasy And Horror. She also won Best Collected Work, which she shared with another good friend, Dan Rabarts for their anthology, At the Edge. Jean Gilbert won Best Youth Novel for, Light in My Dark. I haven’t read that one so I look forward to checking it out.
My short story did not win, however, I feel that being nominated was a great achievement in itself. A.J. Fitzwater claimed the prize for her beautiful story, Splintr.
Well done to all of the winners and nominees.
So what was I doing instead of enjoying the writers convention? I was at the Wairoa Maori Film Festival. My fiancee Dave Whitehead had his directorial debut short film, Possum showing. Despite not feeling 100%, we both had a lovely weekend. It was great networking with film people from all across New Zealand and abroad. The festival features films by native people worldwide, providing a great opportunity for cultural exchange as well as seeing some beautifully crafted films.
Dave’s film was greatly received by the audiences up in Nuhaka and it was made even more special because his father was born there and Dave’s film was set on the east coast too.
Possum Short Film
Possum is a tale of two young brothers who accompany their lumberjack father to a forest campsite. At odds with each other, their relationship meets the ultimate test when theyventure into the woods, hunting a notorious possum named Scar.
This screening was just the start of many more to come. I can’t wait to see where Possum takes us next.
We would have been in Berlin during the weekend and by now we’d be in Norway. We would have seen Radiohead in Oslo a couple of nights ago. We gave our tickets to some friends though, so it brings us joy to know that we could give that experience to people we love.
Even though we missed out on part of our overseas trip, we got to meet some great people that we wouldn’t have if we hadn’t come home early.
Things never go as planned, but that is just all part of the adventure. So get out there and make life magic people!
The year is crawling to a close and it’s time for some reflection on the great Sci-Fi creations that have come out of it.
I’ve been busy working on sounds for both an upcoming sci-fi film as well as the mysterious game for the magical Magic Leap, both of which are absolutely incredible! I can’t wait till they’re released so that I can talk about them.
It certainly is a boom time for sci-fi, in books, films, games, and TV.
Science in general seems to be quite popular too.
This might have something to do with the current push for humans to go to Mars?
Or maybe, its due to a cultural fear of Earths’s demise caused by our misuse of current technologies?
Or perhaps, it’s the fact that this, 2015, was the year of the future that Marty McFly travelled to in the Back-to-the-Future series?
Or just maybe, it’s because we’re all eagerly awaiting the new Star-Wars film?
Whatever the reason, I am loving the eclectic and inspiring science-fiction I am seeing today, from block-busters right down to short films and indie books.
My own favourite Sci-Fi highlight of the year is up in the air, pending the release of the aforementioned Star-Wars film 😉
But aside from that, I’d probably have to say the most inspiring Sci-Fi stuff I’ve seen this year is the films and projects I’m working on. Unfortunately I cannot disclose any details about these jobs, but one day, I will.
Working with a host of creative people in the film and games industry is just about as fantastic as life can get. I feel very blessed.
Are you loving this Sci-Fi boom? What is your pick of the best Sci-Fi highlight for this year?
As someone who works in the film industry, I am not a huge advocate of the – ‘films ruin books’ – argument. Though there are certainly cases where film versions do no justice to the books they are based on, there are also cases where I believe films have enhanced and improved aspects of a particular book. Mostly, I think it’s unfair to suggest that a film can ruin a book, because it is not like the existence of the film can erase the book from history. Nor is anyone forced to watch the film if they loved the book and want don’t think the film can live up to the experience they had reading it.
Having made that claim, let me say that I do enjoy reading a book prior to watching the film. This is mostly because the film only takes 2 hours (or 3+ if its a Tolkien experience), while a book takes a lot more time, allowing me to get swept away to another world for much longer.
The Martian was no exception. I made sure I read it before the film came out and I am sure glad I did.
Book. *****
This was an exceptional book, living up to it’s notoriety completely. Totally worth the hype. Methodically researched and beautifully crafted, I was hooked from page 1. The story telling is inventive and fresh. Although at times, it runs the risk of losing dramatic tension, because we are being told about dire situations after the hero has effectively dealt with them. However, Weir keeps us engaged through the use of great characterisation and choice of places to switch points of view. Weir’s protagonist Mark Watney, is compelling and real. The secondary characters are well fleshed out too, considering how little time we get to spend with the rest of the cast. One of the things I loved most about the flight crew was that, as Weir suggested in an interview, they are all exemplary human beings. Unlike some sci-fi’s where we see astronauts fighting amongst themselves or losing their minds, Weir recognises that we only send people into space who are fully capable of handling the associated pressures. The drama is centred around the dangers of space, not the people who have signed up to be there. Despite the heavy maths and science that is present in the text, it is also fast paced and thrilling. The balance is achieved, once again, through great characterisation and humour. I don’t read a lot of hard sci-fi, especially as it can be brutal, overly-technical or too dark. The Martian, however, kept me smiling for days.
Film. *****
This film was spectacular. There has been a lot of wonderful sci-fi films released over the past few years, such as Gravity and Interstellar. As a sound editor, I am capable of enjoying a film like this on 2 separate levels. I watch films from a technical standpoint, analysing the sound mostly, but the visuals, the editing, and the craft of the film-makers in general. On this level alone, the Martian was fantastic. Great sound, great visual effects, both practical and computer generated. I want to go to Mars just to listen to that beautiful dust storm. I want to drive a rover across the rolling red plains. The film lived up to my imagination of the scenery and exceeded my expectations of what would be delivered. In terms of the story itself, I think the film-makers stayed very true to the feel and tone of the book as well as covering much more of the plot than I’d expected. If this was a recreation of my book, I’d be blown away. I love Ridley Scott’s representation of Weir’s vision. The science is as close to accurate as possible, though the technical details are never overdone. Reality never gets in the way of a good yarn. It’s still all about the character and his story.
So for me Book vs Film? Well, they’re pretty even in terms of my enjoyment, but since the film wouldn’t exist without the book, then perhaps I’ll let the book have this one.
‘Beauty is truth, truth beauty’, so said Keats. I wonder what each person sees in their mind what visions are conjured when they hear that phrase. Or perhaps, what they envision when they simply see or hear the word ‘beauty’? The mystery of the mind and its complex machinations is at the heart of all art, no matter how small or great. The child sitting at a desk at school writes what he or she sees of the small world that they know and the great universe they can imagine. The rulers of countries sit at their desk signing their name and attaching it to ideas and dreams they have about the future.
Too often people consume their day with negative worries and fears. So much more time should be given to our imaginings. So much more effort should be spent on visualisations of what we hope will be, what we wish to achieve. Especially if those dreams and wishes are of things that are good.
I was inspired just now about the concept of beauty when I was flicking through YouTube watching short animation sci-fi films. There is some outstanding work being done out there, especially by people who are funding the projects themselves. Often I get so caught up in reading current sci-fi work that I forget how immediate and blistering inspiration can come from sight and sound. How the vast landscapes of written text can so quickly be etched into mindbogglingly beautiful reality through the medium of film.
Short films in particular, need to infuse a ton of of ideas into the viewers imagination in a short window of time. Perhaps this gives the short film genre more license to be more disjointed and incomplete than feature films. They offer only fractured glimpses of another world just as short stories do, without being bogged down by the constraints of character development, story arcs and plotting that larger works depend on.
This seems like a great excuse for me to offer a plug for a sci-fi short film I worked on in 2010. I co-designed the sound for a film called Abiogenesis. As the blurb states; “In this breathtaking science fiction spectacle, a strange mechanical device lands on a desolate world and uses the planet to undergo a startling transformation, that has profound implications for an entire galaxy.”
You can buy it here on iTunes: https://itunes.apple.com/us/movie/abiogenesis/id644210102 or preview it. There is only a trailer of it on YouTube that doesn’t feature my sound sadly, nor the actual musical sound track by Rhian Sheehan. It has won numerous festival awards that has put it in a position to be eligible for an Oscar award in 2014.
Shameless plug aside, another film I just watched that sparked my interest was one called ‘The Gift’ –
The complexity of the world building and sheer beauty of ‘The Gift’ is laced with a sense of mystery that utterly captivated me. Though it is only a few minutes in duration and barely scratches at the surface of a compelling view of a futuristic Russia, it draws me in and leaves me craving more. The key character is a creepily well animated robot butler with porcelain skin. He is chased and hunted down by police for stealing a strange metallic box containing what we are only told is a ‘unicorn.’ When the film concludes, I know I should be disappointed for not finding out what the ‘unicorn’ actually is, but instead I’m glad. The puzzle is left open for the viewers imagination to toy with. My mind twists and turns over what the ‘unicorn’ could possibly be and what the motives of the people who wanted to obtain it are. As one of my favourite film makers David Lynch once said, “The more unknowable the mystery, the more beautiful it is.”
A riddle unsolved, that is the spark of inspiration that I crave constantly. Like a book not quite completed, the painting I imagine myself creating before I start, a quiet afternoon spent pondering what I will do next year.
When I was younger I used to think endlessly about the universe and what it meant to say that it was infinite. I used to end up feeling scared, intimidated and helpless. When I thought too long about it all, I always wound up thinking that perhaps there was no meaning to life? Then one day, I had a revelation. A moment of relaxation…of letting go. I realised that if we knew the reasons, the limits, or all the answers then it wouldn’t be nearly as exciting or profound or beautiful. Though every day the sun rises and sets, everything is always changing, always fresh. Transformation of matter and energy is endless and so is my daily appreciation for everything that I see, hear, taste, smell, think and feel. Beauty is just that to me, endless mystery.
How about you? What does beauty mean to you? I’d love to hear since only through sharing our stories can new idea be born.
Carrying on from my last post about working in film and how it helps me learn about the crafting of story through my experience with the editorial process, I thought I might take a moment to look at the film I worked on last year that has just come out, Elysium.
I mean, I’m not going to review it, since I worked on it, that would be a little self-serving. No, really, I just want to talk about how difficult and yet enticing it is to write sci-fi these days.
I have always loved science, but I feel that in the last few years so many changes and advances have been made in scientific fields of study that we are really in a very open and exploratory phase of human history. Fields of study that were at one time mocked or ridiculed are now openly accepted as legitimate research subjects or at least worthy of investigating.
I feel that a resurgence of interest in sci-fi films and novels somewhat reflects this shift. It’s an exciting time to be writing sci-fi and getting to work on one of this year’s biggest sci-fi films was a real honour. It was also an amazing opportunity to work with writer/director Neil Blomkamp, who is at the forefront of modern sci-fi story telling.
I loved working on this project and felt honoured to have been part of a team that was so talented and dedicated.
However, when it comes to writing my own sci-fi, I often I find myself daunted by the amount of research required to do the work justice. I find that I battle constantly with trying to…
Create accurate and plausible technology and science for my universe without…
Bogging down the text with too much jargon and at the same time…
Keeping it fresh and exciting with ideas and concepts that perhaps haven’t been looked at before or at least are being dealt with in a new way. While…
Being mindful of genre staples/ cliches/ paradigms .Knowing when to adhere to what is tradition and when to steer clear from what is old hat…and lastly
Trying to figure out how a modern teen really would behave in the bizarre circumstances that they find themselves in.
All the while I’m conscious that sci-fi readers are among the most critical and scrutinizing of all genre fans. And they have every right to be! I know I’m critical of other sci-fi writers.
Sci-fi writers suffer all the criticisms of ordinary fantasy. Both genres deal with forging something completely imaginary and trying to make it believable. Readers ask questions like…
Is the world building seamless?
Are the characters realistic for the world that they inhabit? and
Is the social/economic/political structures within the world detailed and well balanced to convince the reader that its all real?
But unlike fantasty authors, sci-fi writers also have to deal with an audience who have a sophisticated understanding of modern science and technology. Every single reader/viewer has their own opinion on how they foresee humanity will fare in the future – for better or worse. This is the key to understanding the sci-fi genre…because sci-fi stories all have something in common. They deal with the concept of our use of science or technology getting out of hand. The classic Prometheus myth. Sci-fi tackles heavy issues dealing with the human thirst of conquering new horizons without taking heed of the consequences. It is a genre that is about looking to the possibilities of the future in order to take responsibility for the actions of the present.
In Blomkamp’s Elysium, for example, we see the dark side of that philosophy. Elysium offers a look at how our current world social and economic structure may lead to a future where social division between the rich and the poor are at extremes and the fate of humanity hangs in the balance. We see a scenario where sacrifices must be made on both sides of the social spectrum, in order for a balance to be re-established.
Without going into too much specific back-story about how the world ended up in this situation, Elysium makes the viewer think about the implications of our current world economic situation and do some hard evaluating.
The sci-fi author must always be looking to the horizon. I find that it is getting harder to keep up to date with the rapid advances in science. It is really difficult to stay ahead of the curb. You have to identify with modern science and project it forwards, to investigate how it may evolve and change in time and what implications it has for the future of humanity, both good and bad.
But if a book takes three years to write/publish then the modern sci-fi writer has to realise that in the time it takes to get the book out there, a whole gamut of scientific discoveries will emerge.
Two years ago when I began writing my book, the Higgs Boson particle had not been discovered…NASA’s Curiosity had not landed on Mars…numerous exo-planets hadn’t been discovered including one Earth-sized planet that orbits Alpha Centauri B. And that’s just scratching the surface of what’s been going on.
Now, having said all this, my story is heavily steeped in what can only be called magic. I worry about this at times, knowing that hard-core sci-fi readers might reject some of my more ethereal concepts. I try to reassure myself that magic is just as valid in sci-fi as physics, since at some point in our human history, they could be seen as one and the same thing.
I tend to think that only by incorporating things that seem utterly like magic to us, can I write sci-fi that is true to what I love about the mystery of science. Or perhaps, I’m just a dreamer who has my head too far up in the clouds? Sometimes I focus too hard on getting the facts right, (especially knowing that my nuclear chemist brother would not approve of my sloppy research). But sometimes, I find it particularly hard to be practical when it comes to some of the core scientific aspects of my work. I prefer to focus on a more philosophical and emotional side of things and sort of let the structural mechanics of the world fall into place around the characters. After all, it’s the character’s story that matters most to me.
So, yes, it’s a difficult and yet thrilling era to be working on sci-fi, I might even go so far as to say it’s magical.
Shell Child – Author 